The works are printed in Archival, Museum Quality Giclée. Works are printed using the most advanced techniques in printing quality, using Hahnemühle papers, and Ultrachrome K3 inks or HP Vivera inks both with a permanence of about 150 / 200 years.
Color is not the same in RGB (Computer monitor) and Printed copies. So I do artist’s proofs of each copy sold, ensuring the color in the printed copy is the perfect color I want for the work.
This is a necessary step even in a calibrated monitor and the same color profile between my computer and the printing studio. So you can see differences between your particular monitor color and the printed copy.
In all works there is a blank border to sign by the artist, in the back will be a Hahnemühle numbered hologram corresponding with the number in the certificate of authenticity.
Certificate of authenticity:
All works are accompanied with a certificate of authenticity signed by the artist to certify it’s an original work.
The prints can be printed at any size depending of the format, feel free to contact me. Works can be printed in higher or smaller sizes.
In digital works, they are as is, there is not artifacts dued to technical limitations, the works are done in the maximun resolution (12.000 x 12.000 pixel.) and all the work is done based on pure artistic criteria, specially in blurred pencil strokes.
I work with traditional scanned media and digital passes as layers in my work. When a pixelation appears it doesn’t mean it’s a technical limitation or so, it’s done so because artistic criterion.
Sample of Certificate of Authenticity: